标签归档 西安高端外卖

　　The film The Rescue is the fourth cooperation between Lin Chaoxian and Eddie Peng Yuyan. In every previous cooperation, both of them constantly challenged the limits with the support of each other. When they co-produced Guild Wars for the first time, Eddie Peng Yuyan was trained as a professional boxer, and it took him three months to learn Thai boxing, lock technique and Brazilian Jiu Jitsu. When shooting against professional boxers, I hope to "convince the audience". In the second collaboration of Breaking the Wind, Eddie Peng Yuyan participated in training for four months, and during the training and filming process, he rode over 110,000 kilometers, almost three times around the earth. In the third collaboration with operation mekong, the challenge between Lin Chaoxian and Eddie Peng Yuyan rose to a new height again. When shooting, Lin Chaoxian was even accidentally bitten by a six-inch centipede, while Eddie Peng Yuyan was fighting with a real gun, and every action instruction was close to reality. This time in The Rescue, they will challenge the "water play" which is recognized as difficult to shoot all over the world. The Rescue is the first Chinese-language film about maritime rescue, which is based on real maritime rescue events. Eddie Peng Yuyan said that the director has changed from "Devil Forest" and "Explosion Forest" to "Monster Forest".

　　As soon as the director looked for me, he came to shoot.

　　Q: Why did you take on The Rescue? The shooting conditions are very difficult. What mental preparations did you make before taking the show?

　　Eddie Peng Yuyan: Director Lin Chaoxian came to me as soon as he asked me. I knew that filming the director’s play would be particularly interesting and enjoyable, and of course there would be certain challenges and difficulties. That’s why I wanted to shoot the director’s play, so I was ready long ago. I just didn’t expect that I was not prepared enough this time. Every day when I arrived at the scene (shooting for 8 months), it was a variety of difficulties, which was very challenging, and it was an unprecedented surprise both physically and mentally.

　　Q: You play the captain of the Maritime Secret Service. How much do you know about the real salvage team?

　　Eddie Peng Yuyan: My name is Gao Qian in the play, and I am the captain of the Maritime Secret Service. He is a man with great courage, experience and a strong sense of responsibility. He has performed many tasks and saved many people.

　　Before shooting, the director showed us some information about the rescuers, so we would know their lives and train with them. We were like friends. They all look like ordinary people, but when they receive the task, they are completely different. Once when they were on a mission, I followed them. You can’t imagine these ordinary people hanging on the helicopter, and you will feel as if they were in another world. As salvage team members, they need extra concentration to save another life, because sometimes, you have to give up something to save other people’s lives. You can only save two people in the water for three to five minutes, but there are twenty or thirty people around. What do you do? This is what they have to face. They have to face the human tragedy every day when they go to work, and they have to be a normal person when they get home. If they don’t have faith, they can’t do it. This is what the director wants to talk about in this play. We also experienced it ourselves and found out how great they are.

　　Rescuers are giving "hope of life" to others. They are faced with the tragedy of life. Without faith and firm heart, there is no way to meet and complete the task. In this profession, they must have enough courage and faith to forget themselves and their own lives to save others.

　　Q: Did you find it challenging to play your father for the first time in The Rescue?

　　Eddie Peng Yuyan: I think it is very difficult for the director to give me this role. The director is very interesting. He knows that I am a single-parent family, so it takes me a lot of time to convince myself that there is no father in my life. Thank you very much for giving me this role. The actor who plays my son is very smart and cute. It is natural and great to act with him. Because the child is very real, he can recite his lines by heart and act naturally. I also hope to keep this innocence and nature when acting with him. Directors and screenwriters have done a lot of homework in advance to understand the lives of rescuers. Family is also very important for rescuers, which should be an important reason to support them to be so brave and responsible. Maybe everyone thinks this is an action movie, but I think it is actually a drama full of love.

　　Being abused by all kinds,

　　Every time you go into the water, you should be mentally prepared.

　　Q: What scenes impressed you the most in this shooting?

　　Eddie Peng Yuyan: There are many scenes that impressed me the most, usually the first time is the most unforgettable. For example, the first time I was blown up by fire, I was blown up in a fire of 600 to 700 degrees Celsius, and I thought it was all right several times. As a result, I was going to be blown up by water later. After the explosion, the director said excitedly, "Eddie was finally blown up by me with water." Before, I didn’t know that water could be used to fry people, but the next day after the frying, it was hung in the air for a day, until it was almost vomiting. But it’s also quite enjoyable, because the real shooting is hung on the helicopter, and the height is very high, so it’s also unforgettable. I thought it was all right when I came down, and then I had to flood with fire, and then I flooded with water, so this time it was all kinds of experiences, basically all kinds of "abuse". This is the director’s style, and he just likes to "abuse" artists. But in fact, actors can get a lot of nutrients in this process, which is also the reason why we fall in love with the director, so that we can make a very unforgettable play.

　　Q: Are all the security measures in The Rescue in place this time?

　　Eddie Peng Yuyan: Yes, of course, there’s still a possibility. Although I’ve tried all the heat insulation suits, after all, the fire is at least 300 degrees Celsius, and my whole fire protection suit is on fire, but that’s what I want to feel when shooting. Although I am fully armed, I am still afraid, and I can still feel my skin burning. I am still afraid if I shoot like this every day and I am suspended every day. Moreover, when I finally get into the water, the water temperature is 6 degrees Celsius. I didn’t think I could make it. It was really cold.

　　I think I am the kind of actor who is not afraid as long as I have the conditions to do it, but I really have to prepare myself before going into the water every day to make this film, because the water is too cold and there are chemicals in it. There are many things in the play that I need to take off my equipment. Without goggles, chemicals will get into my eyes and I can’t open them. Those photographers wear goggles when they go into the water. When they take them off, they can’t stand the water flowing into their eyes. They should always wash them. But I soak for more than ten hours every day, and I may stay for 15 minutes at a time, because it is too cold. Wash your eyes every day, and at the end, your eyes will always shed tears and your eyes will be red. The director is also distressed, so he will go down to accompany me. After filming this play, I don’t want to swim until now, and I feel that the quota of touching water has been used up this year.

　　Q: Did you get any serious injuries this time?

　　Eddie Peng Yuyan: I drowned several times. One scene that impressed me most was that I was hooked by Weiya in Mexico, and then I was pushed under the bottom of the pool. Everyone is scared, and I can’t get out. I found that the Viagra that tied me was stuck on the base of the truck, and the rescue team had not come to save me. So I thought that I would save myself first, and I would find out if I had any tools to cut the rope, but I couldn’t open it. Later, I found the hook point, untied the rope desperately, and then came out. The director kept saying, "Are you all right? Are you all right?" I said to have a rest. Because the rope was too tight to open, I tried my best to pull it. My nails were all lifted and my hands were cracked. The director was scared. This was the most horrible thing.

　　Another time, I was in the water, and my oxygen bottle was running out of gas, so I could only suck eight spare cylinders. The deeper the water pressure, the more I sucked, so I had to save my eight mouths every time. Later, I took a long shot, and the rescue team had to withdraw far away. When I finished swimming back, my oxygen bottle was out of gas and I couldn’t find the spare cylinders, so I held my breath to find an exit. This kind of situation often happens. I always think I am a good swimmer, but when you are really more than ten meters underwater, it is completely different from you in the swimming pool, and we carry a lot of lead on us, so I can’t float. Coupled with the water temperature of 6℃, I feel like I am in the freezer.

　　Looking back on filming the scene in the water now, I will be scared. I remember that after shooting those scenes, we went to dinner, and the local staff in Mexico would take the initiative to greet me and praise me. Friends of our rescue team told me that local rescuers felt that this was beyond the ordinary people’s ability. Many people couldn’t believe that we China actors went down to shoot by ourselves, and foreign countries went to that scene to make movies, but body double went down.

　　Q: Are these self-help things in the water the methods you learned from training before filming?

　　Eddie Peng Yuyan: Yes, basically. All the training was used in filming. If you don’t train well in advance, you may not dare to shoot this play. We followed the real rescue team to rescue outside. The rescue process was very hard, and we really experienced the fragility of life. There was no way to imagine the power of nature. It was really terrible. After making this film, I feel I must cherish my life.

　　Q: In addition to feeling the fragility of life, what influence has it had on you after making this film?

　　Eddie Peng Yuyan: Now, if I fly, I will read the rescue manual, see where the escape pod is, and see the people nearby. If something really happens, who needs help. Not before, but now it becomes instinctive, and then I will imagine the filming situation at that time. I will count several old people, and several of them came up in wheelchairs. These are all realized after I finished filming, and I can’t help but think it is quite exaggerated. As soon as I talk about the escape pod, I will think of the horrible scenes of training in the past eight months and saving people in the plane. I always tell myself that if something really happens today, I can save people.

　　And director Lin Chaoxian are also teachers and friends.

　　Q: This is your fourth collaboration with director Lin Chaoxian. Do you feel that his films are getting more and more difficult?

　　Eddie Peng Yuyan: If the difficulty hadn’t increased, I don’t think it would be directed by Lin Chaoxian. Since I met the director, I think the greatest thing about him is that he has not changed what he likes, and he is persistent about what he likes, so when the director makes a movie with such enthusiasm, you will be infected, and then you will feel, why not do it?

　　He is very good every time, and I believe he will only get better and better. This time, there are many scenes that he wants to shoot, as well as many action scenes and emotional scenes. He finished writing the characterization of the characters and then went to the scene to schedule, which he has always loved, so I think the director is very good. Moreover, the director becomes more and more challenging, because every time he shoots something new, just like this underwater shooting, we have never experienced it before, and many of them are unknown. We can only follow the camera when we go to the scene to shoot, and then we can shoot after training, and we have to rehearse before shooting. It is conceivable that many scenes are actually difficult to implement. We are all studying, and the director will give me a lot of confidence.

　　Q: Is Director Lin Chaoxian different from other directors you have worked with?

　　Eddie Peng Yuyan: I think it’s fate. He appreciates me and I respect him. Few actors can work with the same director four times, so it’s rare. And to some extent, there is also a habit problem. In many cases, we can omit some running-in things, which is a bit like "family". I have experienced four different lives in seven years, and these four lives are not what ordinary people can experience.

　　Q: One saying is "Eddie Peng Yuyan while the iron is hot, Lin Chaoxian while the iron is hot". Do you agree with this sentence?

　　Eddie Peng Yuyan: I’ve heard it (one of the leading actors with the most cooperation times, second only to Nick Cheung). When I heard this sentence before, I felt that it made our feelings smaller, as if it was only tempering, but after The Rescue, I felt that it was too accurate.

　　Because I think The Rescue is really like "grinding", which is very dangerous. I have been throwing caution to the wind several times. If the director wasn’t Lin Chaoxian, I would definitely have questions. In fact, when I finished filming operation mekong, the director told me about it. At that time, I really wanted to shoot it, but I felt I needed to take a break. It happened that the director had other plays at that time, so I took a break.

　　I didn’t take this play because it was dangerous, but because of the theme and role. It is much more difficult for the director to give me this role than I used to play, and it is quite different from my previous image. (Difficulty) Mainly in the emotional aspect, I play a father, and the other is the difficulty of this profession.

　　The relationship between me and the director is more like mentoring. It is natural for the director to shoot a man’s play and talk about the feelings between men. I think the director has quite a pattern in dealing with this very real human nature. He sees things a lot and is very real, so I think acting his play is an immersive experience to some extent. From MMA fighting to cycling to The Rescue, I don’t need to think about how I want to act, just experience it.

　　So I think the director and I are also teachers and friends. He thinks I should shoot something at my age, so he asks me to shoot it. If I haven’t reached that stage, then maybe the drama at that stage is not suitable for me. He hopes that I can grow up slowly, and to some extent I can understand what he really wants to pursue. There is a tacit understanding between us (appreciate each other), and I feel that there is such a person in the film industry, which is a kind of existence that will be infected with each other. Needless to say, I can see from what he wants to do, so I get along very well. I quite appreciate the director’s point.

　　From the first collaboration of Guild Wars to now, neither the director nor I have changed. Luck is true. I never thought I could have so much cooperation with the director after Guild Wars, and he probably never thought that Eddie Peng Yuyan could still be used as an actor. The director also gives me a new thing every year or two, so I also feel lucky. The director did a very good job in his field of work, and I tried to play every role well in my own school.

　　Will cherish the opportunity to cooperate with each other.

　　Q: Have you ever had any conflicts or differences with the director?

　　Eddie Peng Yuyan: There will definitely be some. Maybe I have some ideas about some performances. The director also knows that the actor must be given space. On this basis, I try to surprise him. When he sees it, he may think that the role I created is more three-dimensional than he imagined in his mind. The director will feel very valuable. I have also been addicted to acting, so I must trust each other.

　　A person’s ideas are limited, and maybe we are infinite together. When you are willing to share your things, he will certainly share his things with you. The difference between me and the director is often that he may feel enough, and I want to give more. He will let me play and make me happy. I think one advantage of filming with the director is that what he sees will never be the same as what others see me.

　　Q: If you have the chance to cooperate with the director for the fifth time, do you have a subject you want to shoot?

　　Eddie Peng Yuyan: Actually, we have talked about too many topics. Every time we run and chat, we will think of a topic. He will ask me what I like, and I will ask him what I like. Before, we discussed many things like racing, action and gunfight. Usually, the director said the type he wanted to shoot, but I don’t have any restrictions on his films because I believe him.

　　Q: Are you worried that the director will choose more and more actors in the future?

　　Eddie Peng Yuyan: It’s possible. The director has the right to choose the actors he thinks fit. It doesn’t mean that we have to cooperate with the fifth film now that we have cooperated with four films. That’s why this is very subtle. Also, I have a choice whether to continue to cooperate with him or not. I think sometimes it’s just a magnetic field between us. We can give each other what they want, and we all know it’s hard to come by. Therefore, when shooting every play, I try my best not to regret it, because this is the only thing I can control. I will gain experience and wisdom in the process of doing my best within our control, which is very worthwhile.

　　Text/Xiao You for the picture/Tian Tian

　　On January 30th, fireworks and firecrackers started to be sold in five main urban areas and three development (holiday) areas of Kunming in the Spring Festival of 2024, and the retail outlets of fireworks and firecrackers in various urban areas opened their doors one after another.

　　On January 31, the reporter went to the fireworks and firecrackers retail point at the intersection of Yuyang Road and Yupu Road in Dianchi Resort. The sales staff were wearing special protective clothing "pure cotton flame retardant clothing" and were busy placing and selling goods in the sales warehouse. Although it was morning, many citizens had come to inquire and buy. "Our retail store has an area of more than 20 square meters, and according to the relevant regulations, it can hold up to 140 fireworks and firecrackers," the salesperson said. "We have more than 200 kinds of fireworks and firecrackers, and only one third of them are placed today. Later, we will pick up the goods from the warehouse according to the sales situation."

　　According to the requirements of Kunming Emergency Bureau, all 304 retail outlets in five main urban areas and three development (holiday) areas in Kunming use explosion-proof warehouses for sales, and all of them have installed video surveillance systems to implement 24-hour monitoring. There are signs on the stalls in all retail outlets that "it is forbidden to set off fireworks and firecrackers within 80 meters around the point of sale". The fireworks and firecrackers safety commitment letter and business license and other related documents are posted on the walls of the store, and fire extinguishers, buckets and other fire-fighting facilities are placed outside the store. Through layer-by-layer protection, the awareness of fireworks and firecrackers’ business safety and law-abiding and emergency handling ability are effectively enhanced, and fireworks and firecrackers are strictly "safely closed".

　　According to the "Management Measures for Fireworks and Firecrackers in Kunming", the operation and discharge time of the Spring Festival in 2024 in five main urban areas and three development (holiday) areas in Kunming is from the twentieth day of the twelfth lunar month to the fifteenth day of the first month, that is, from January 30 to February 24, for a total of 26 days.

　　Yunnan net reporter Hu Yuya’s photo report

　　On September 17th, the National Bureau of Statistics released the statistical data of the changes in the sales prices of commercial housing in 70 large and medium-sized cities in August this year. In August, the prices of new commercial housing in 55 cities rose month-on-month, 5 cities less than that in July. The picture shows a real estate for sale in Rugao, Nantong, Jiangsu. Photo by Wu Shujian (People’s Vision)

　　On September 17, the National Bureau of Statistics released statistics on the changes in the sales prices of commercial housing in 70 large and medium-sized cities in August 2019. Overall, in the month of August, whether it was new commercial housing or second-hand housing, the cities with rising prices were 55 cities and 43 cities respectively, and the number dropped significantly compared with last month. Analysts pointed out that although the traditional sales season of "Golden September and Silver 10" is approaching, the overall stable situation of the local property market has continued, which on the one hand reflects the effect of regulatory policies, and on the other hand reflects that the positioning of "houses are used for living, not for speculation" is profoundly changing the development pattern of the real estate market.

　　The overall situation continued to be stable.

　　According to Peng Kong, chief statistician of the Urban Department of the National Bureau of Statistics, according to preliminary calculations, the sales prices of new commercial housing in four first-tier cities increased by 0.3% month-on-month, which was the same as last month, with Beijing rising by 0.5%, Shanghai rising by 0.3% and Guangzhou and Shenzhen both rising by 0.2%; It rose by 4.2% year-on-year, and the growth rate dropped by 0.1 percentage point from last month. The sales price of second-hand houses was flat month-on-month, rising by 0.3% last month, of which Beijing fell by 0.4%, Shanghai and Guangzhou were flat, and Shenzhen rose by 0.2%; It fell by 0.2% year-on-year, which was the first decline since June last year. The sales prices of new commercial housing and second-hand housing in 31 second-tier cities increased by 0.5% and 0.2% respectively from the previous month, and the growth rate dropped by 0.2 percentage points from the previous month. It rose by 9.9% and 5.5% respectively year-on-year, and the growth rate dropped by 0.8 and 1.2 percentage points respectively from last month.

　　At the same time, in August, the sales price of new commercial housing in 35 third-tier cities rose by 0.7% month-on-month, the same as last month; It rose by 9.0% year-on-year, and the growth rate dropped by 1.2 percentage points from last month. The sales price of second-hand houses increased by 0.8% month-on-month, with an increase of 0.1 percentage point over the previous month; It rose by 5.8% year-on-year, and the growth rate dropped by 1.3 percentage points from last month.

　　According to Yan Yuejin, the research director of the think tank center of Yiju Research Institute, due to the recent cooling of the housing transaction market, the tightening of the real estate financing environment, and the tightening of the funds in place for housing enterprises, housing enterprises in various places have taken the initiative to reduce prices and promote sales, which has led to a narrowing of the growth rate of the housing price index in 70 cities across the country. At present, the property market is entering a cooling channel, especially in second-tier cities, which has a positive effect on stabilizing housing prices in second-tier cities and preventing real estate speculation by borrowing talents from all over the world.

　　The policy supports "housing and not speculation"

　　The real estate market continues to remain stable, which is inseparable from the strict control of policies. Zhang Dawei, chief analyst of Zhongyuan Real Estate, said that from the central bank to China Banking and Insurance Regulatory Commission, the risk control of real estate finance has been intensively strengthened, and various financing channels from real estate mortgage to housing enterprises have been tightened to varying degrees.

　　The central bank recently reformed and improved the formation mechanism of the loan market quotation rate (LPR) to further reduce the financing cost of the real economy. In this process, in order to resolutely implement the positioning of "houses are used for living, not for speculation" and the long-term management mechanism of the real estate market, ensure the effective implementation of the regional differentiated housing credit policy, and keep the interest rate of individual housing loans basically stable, the central bank has simultaneously adopted "the shortest repricing period is one year", "the interest rate of commercial housing purchase loans shall not be lower than the quoted market interest rate of the corresponding term loans plus 60 basis points" and "the interest rate of two sets of commercial individual housing loans shall not be lower than the quoted market interest rate of the corresponding term loans plus 60 basis points".

　　The relevant person in charge of the Ministry of Housing and Urban-Rural Development said that it will speed up the promotion of housing security legislation, clarify the top-level design and basic institutional framework of housing security at the national level, consolidate the responsibility of housing security at all levels of government, and provide a legal basis for regulating the access and use of affordable housing.

　　"In recent years, the whole society has become more and more deeply aware of the return of real estate to residential properties, and the intensity and resilience of real estate regulation and control policies have become greater and greater. Recently, while releasing funds to reduce the financing cost of the real economy, the financial authorities have also made structural arrangements specifically to avoid capital flowing into the real estate market. It can be said that the persistence of real estate control policies and the establishment of a long-term mechanism are playing an increasingly obvious role. " Yi Cong, a professor at the School of Economics of Tianjin University of Finance and Economics, said in an interview with this reporter.

　　Take the initiative to get rid of "real estate dependence"

　　At the recent press conference held by the State Council, Shen Xiaoming, Governor of Hainan Province, said that for a long time, Hainan’s real estate accounted for about 50% of investment and 50% of tax revenue, and its economy relied heavily on real estate. However, real estate needs land, which will increase the environmental load, while Hainan’s land resources are getting less and less, and the environmental load also has a "ceiling". Therefore, economic development cannot be sustained by real estate.

　　“1— In August, under the background that the real estate sales area decreased by 52%, the real estate sales decreased by 50%, and the national tax reduction and fee reduction, the regional GDP of the whole province increased by 5.4%, and there was no economic ups and downs caused by real estate regulation. It is expected that by the end of the first quarter of next year, the downward pressure on the economy caused by the downward adjustment of old kinetic energy will be basically released, and the dividends generated by new kinetic energy will gradually accumulate. Therefore, we expect Hainan’s economy to enter a benign and rapid development track at the end of the first quarter of next year. " Shen Xiaoming said.

　　Yi Cong said that adhering to the regulation policy of the real estate market and ensuring the healthy development of the real estate market is not to stop developing the real estate industry, but to make the real estate development and the development of the real economy complement each other and provide support for people to live and work in peace and contentment, entrepreneurship and innovation.

　　Deng Yusong, deputy director of the Institute of Market Economy of the State Council Development Research Center, said that the demand caused by the demolition of old houses, the influx of new population and the shrinking of families is normal, and the subsequent demand will be affected if more demand is released in the short term. Deng Yusong predicted that the situation of concentrated demand release and hot sales in small and medium-sized cities like in the past two years could not last for a long time.

Where is the most beautiful scenery? Is it the mountains in spring, the water in autumn, the poetry in the distance, or the fireworks nearby? In the poems of the ancients, there is no lack of beauty in the world, and there is no shortage of love and hope. Good scenery is also a good mood, and with a good mood, wherever you go, you feel picturesque.

There are many silk in the sky above the main avenue, it is like the butter – like fine and moist, the overlook grass is vaguely connected, but it appears to be sparse in close range.

This is the most beautiful season of the year, far more than the late spring of green willows.

-Tang Han Yu, "Early Spring is a Member of the Ministry of Water Affairs Zhang Shiba"

Chang’ an street is falling with fine light rain, which is as moist as milk, and the light green grass is connected into one piece. From a distance, if there is anything, there is nothing. The poet’s favorite scenery is this early spring season. Everything has just recovered in the silent drizzle, which is far better than the summer when the city is full of smoke and willow. Indeed, the light rain in early spring nourishes everything and gives people endless hope in a hazy way.

There is also a poet Du Fu who loves spring rain. His praise for spring rain is extremely vivid and delicate.

Good rain knows the season, and when spring happens.

Sneak into the night with the wind, moisten things silently.

The wild path is dark, and the river boat is bright.

Look at the red and wet place, and the flowers are heavy in Jinguan City.

-Don Du Fu’s Delighting in Rain on a Spring Night

Good rain knows the season and comes with spring. With the gentle east wind, it sneaked into the night and moistened everything quietly. The path in the field is covered with thick dark clouds, and it is dark everywhere, while the lights on the fishing boats along the river are particularly eye-catching. When I get up in the morning, I see that the spring flowers are wet after the rain. Jinguan City is full of colorful flowers, but it is full of clear feelings. The poet loves this scenery that has been baptized by the spring rain.

Jiangnan is Bai Juyi’s second hometown, and the scenery of Jiangnan has become a unique beauty in his heart. He is immersed in the beautiful scenery of Jiangnan and is full of love and nostalgia.

The scenery of the south of the Yangtze river is beautiful, picturesque scenery has long been familiar.

When spring comes, the sun rises from the surface of the river, and the flowers on the river are brighter than red, the green river green more than blue grass.

How can we call people not miss the south of the Yangtze river?

-Tang Bai Juyi, "Recalling Jiangnan"

Jiangnan is good, and poets have long been familiar with its scenery and have never forgotten it. As soon as the sun comes out, the river flowers on both sides of the strait are bright red and dazzling. When spring comes, the spring water in the south of the Yangtze River reflects the long blue sky, blue and clear. This vibrant and colorful Jiangnan spring has naturally become a beautiful memory that Bai Juyi can’t give up.

Li Bai loves nature very much. He has traveled through countless places and seen countless landscapes, but there is always a special place that makes people peaceful and leisurely.

I asked Yu what he meant to live in the blue mountains, and laughed without answering my heart.

Peach blossoms are flowing away, and there is another world.

-Tang Li Bai’s question and answer in the mountains

My friend asked me why I like living in Bishan. I just smiled and didn’t answer, but my heart was very leisurely. Peach blossoms fall on the water, and slowly flow away with the blue waves. There is a different world here, which is really not like being on earth. This is my Xanadu, where the scenery is beautiful and the mood is smooth. Where else can it be better than here?

There are so many mountains and green waters, and the beautiful scenery written by the poet is also so desirable.

Xisai Mountain before the white egrets fly freely, the river, plump mandarin fish swimming happily, floating in the water in the peach is so bright and full.

An old man in the bank, wearing a green bamboo hat raincoat, wearing a green raincoat, braved the wind and rain, leisurely and leisurely fishing, he was fascinated by the beautiful spring scenery, even the rain did not go home.

-Don Zhang Zhihe’s "Fisherman’s Song"

There are flocks of egrets flying in front of Mount Cisse, and mandarin fish are at their best in the Bijiang River where peach blossoms are floating. The fisherman is wearing a blue bamboo hat and a green hemp fiber. Although the oblique wind is blowing the drizzle, it doesn’t matter. On the contrary, it adds a different kind of beauty to the scenery. Why rush back? It’s drizzling in the oblique wind, peach blossoms floating on the blue waves, and people who sit firmly in the mountains and rivers are so carefree!

In this world, some people like famous mountains and rivers, but others love the unknown countryside. The scenery is unforgettable, sometimes not just because of the scenery itself.

It was nearly a year before the east hill, and return just caught up with Springfield.

The grass is green in the rain, and the peach blossoms on the water are burning.

You Lou Biqiu studied Confucian classics, and he was a wise man in the village.

Daoxi came out and met me, and laughed heartily before chai men.

-Don Wang Wei’s "Wangchuan Bieye"

I haven’t been to Dongshan for nearly a year, and I came back just in time for spring ploughing. The grass in the rain is green and can be dyed, and the peach blossoms on the water are red and bright, as if to burn. The eminent monks and wise men in the village, who are all good friends of the poet, came to meet each other with joy when they heard that the poet had returned, and they hurried to put on their clothes and even forgot to put on their shoes. Everyone is talking and laughing in front of the firewood. Happiness is so simple, but it is full of sincerity. No wonder the poet is obsessed with Dongshan. The scenery is beautiful, and the world is more affectionate.

I see how charming Qingshan is, and I expect Qingshan to see me as such. This is the most beautiful scenery, the scenery is ruthless, but people are interested.

The birds fly away without a trace, leaving the solitary cloud at ease and ease.

You look at me, I look at you, between each other two, only me and the eyes of jingting mountain mountain.

-Tang Li Bai’s Sitting Alone in Jingting Mountain

All the birds have flown away, and a cloud has drifted away leisurely. Jingting Mountain and I are the only people who never tire of looking at each other. In the arms of Jingting Mountain, I feel clean, kind, peaceful and happy, but I won’t feel lonely.

The most beautiful scenery is actually in a dull life.

I planted beans under the south hill, and the weeds in the fields were full of pea.

Early in the morning get up early to eradicate the weeds, the night falls on the moonlight carry hoe to return.

The narrow path covered with vegetation, and the night dew moistened my clothes.

It is not a pity to wet my clothes, but I hope not to go against my will.

-Wei and Jin Dynasties, Tao Yuanming, "Returning to the Garden, the Third"

Planting beans at the foot of Nanshan Mountain is characterized by lush weeds and sparse bean seedlings. Get up in the morning, clean up the wasteland, and come back with a hoe in the moonlight at night. The road is narrow and lush, and the cool dew in the evening wets my clothes. It doesn’t matter if the clothes are wet, as long as it doesn’t go against the original will, everything is worth it.

Spring flowers and autumn moon, nature and seasons always make us meet with all kinds of beautiful scenery, which is shocking and intoxicating.

The lake and the moon are in harmony, and there is no wind mirror on the pool surface.

Looking at the landscape of Dongting, there is a green snail in the silver plate.

-Don Liu Yuxi’s "Looking at the Dongting"

Lake light and moonlight blend with each other and complement each other. Without a trace of wind, the pool is smooth and seamless, just like an unpolished mirror. Looking at the landscape of Dongting from a distance, the water is bright and clear, and the trees on Dongting Mountain are lush, just like a green snail in a white silver plate, quietly for people to enjoy and ponder. How can we live up to such a beautiful scenery?

When the poet meets the landscape, it completes both the poet and the landscape.

As far away as Hanshan Mountain, the stone path is oblique, and there are people in Bai Yunsheng.

Stop and sit in the maple grove late, and the frost leaves are red in February flowers.

-Tang Du Mu’s "Mountain Walk"

Along the winding path up the mountain, where the white clouds are born, there are several families. I stopped because I like the late scenery of the maple forest. After the wind and frost, the maple leaves are red and dazzling, which is even more beautiful than the spring flowers in February. The poet fell in love with the red maple in autumn and was reluctant to leave for a long time. Thousands of years later, the maple leaf burning like fire in front of his eyes will still arouse people’s yearning and enthusiasm. The red leaf has never faded after thousands of years, and his mood at that time made people feel the same.

The most beautiful scenery in people’s eyes is often because of their love and even their preference.

The flowers withered, the unique plum blossom against the wind swept out, the beautiful scenery of the small park scenery.

"Dappled shadows hang aslant over the clear shallow water, in the evening of moonlight their fragrances peacefully expand."

When the cold bird wants to fly, it first peek at the plum blossom; Butterflies, if you know the beauty of plum blossom, will be enchanting.

Fortunately, there are micro-songs that can be compared, and there is no need for a total of gold bottles.

-Song Lin Bu’s "One of Xiaomei in the Mountain Garden"

Flowers wither, only the poet’s favorite plum blossom blooms alone, occupying all the scenery in the small garden. Sparse plum shadows are slanting in the shallow water. At dusk, the moon rises and the faint fragrance floats in the air. Plain birds want to come down, first take a sneak look. If butterflies in spring know the beauty of plum blossoms, they will be heartbroken and lose their souls. The poet sighed with emotion, fortunately, I can also sing poems to praise the plum blossom, and I don’t need to clap the sandalwood to sing songs, and I don’t need to hold a glass of wine to express my love for the plum blossom. The small garden with faint plum fragrance in winter is the most beautiful scenery in the poet’s eyes, and even the spiritual sustenance.

Some people always think that the most beautiful scenery in the world is far away, but people floating in other places deeply understand that when they look back, their hearts are already full of thoughts, and every grass and tree in their hometown is the most beautiful.

You have just come from our hometown, we must know the ways of the world.

When you came to my home carved decorative pattern of the window, the plant of the plum flowers bloom?

-Tang Wang Wei’s "Three Miscellaneous Poems No.2"

The poet asked: You come from your hometown, so you should know something about your hometown, right? Is that plum tree blooming outside my carved window? The plum tree outside the window once accompanied the poet through countless dull but warm times. During the journey, he looked back more than once and all plants and trees were affectionate. Where there are no plum blossoms, but those in my hometown must have taken root and blossomed in my heart.

As time goes by, winter goes and spring comes, how many endless scenery there are?

Only know the search for the beautiful scenery and forget the cold, I am in the spring breeze in the sunset.

I like that Dongshan sunny after the snow, the light of the red in the light of the mountains of Yinshan.

-Song Yang Wanli, "Four mountains are green after the snow clears, but Dongshan’s all-white fu loves Dongshan’s two quatrains after the snow clears."

Poets only know how to chase beautiful scenery, but forget the cold, standing in the sunset and spring breeze. My favorite is Dongshan Mountain, which clears up after the snow. In the soft red light, there is a surge of silver mountains, pure and dazzling! The poet was shocked by the beautiful scenery after the snow!

Welcome the new in time, miss the old in emotion, and what you can’t give up is the feelings of the past.

Without washing and dyeing the dust tassels, I returned to Fangcaoping.

A vine path is green, and there are ten thousand snow peaks and sunny spots.

-Tang Li Bai’s Winter Returning to the Old Mountain

Before the poet could clean the dust from his hat, he came back with grass. A path covered with green vines is green and welcoming, but it clears up after the snow, and the ten thousand peaks are particularly clear in the sun. Returning to the old mountain in winter, the poet was very happy and his eyes were full of beautiful scenery.

The beauty in the eyes of the ancients tells us where they have been and what they have loved. It is a journey of life, a meeting, a fate, and perhaps helplessness in reality. The beautiful scenery they love is still loved by us today, and ordinary people like us will meet many scenery on the way, just like them in the long river of history. What is the most beautiful? Perhaps it is still two words, love. Whether for people or scenery.

-Author-

He Yu, a woman who likes poetry, is looking for beautiful details in the four seasons, hoping that time will leave warm memories.