![](http://www.searchtmr.com/wp-content/uploads/2022/07/g2N4d377.jpg)
![](http://www.searchtmr.com/wp-content/uploads/2022/07/ERi8CCQ1.jpg)
![](http://www.searchtmr.com/wp-content/uploads/2022/07/Psi0H21a.jpg)
A 15-episode lightweight online drama "The Beginning" exploded at the beginning of the year, boosting confidence in the Chinese drama market in 2022. During the Spring Festival holiday, the popularity has risen instead of falling, and topics such as "Aunt Pot", taking the bus and ringing tones of Cannon’s mobile phone have become the "hard currency" for gathering and socializing with high mention rate. Recently, the Beijing Youth Daily reporter interviewed the author of the original novel "The Beginning" and the screenwriter of the TV series Prayer Jun, looking for answers to the topics that the audience is still discussing.
Why did you choose the bus bombing?
Beiqing Daily: Please tell us about the creation process of Beginnings, such as "infinite flow"? Why did you choose the bus bombing?
Prayer Jun: Over the years, I have seen many videos about "bus accidents" on the Internet, which have had a great impact on me. When I first saw this, I thought, why can’t anyone stand up and stop these tragedies like those heroes in film and television works? Later, I began to imagine what I could do if I were on these buses. In these associations, I began to think again, are my ideas reasonable? Who will be on the bus together? Can these people help me? In the process of this series of thinking, verification and rethinking, my inspiration sparked and I drew up the outline of the beginning.
The biggest difficulty is how to balance the dramatic and logical contradictions in the novel at the same time, and how to set the whole progressive process from the first cycle to the end of the cycle. For example, this bus explosion, at first, no one knew it was an explosion. It was only after the protagonist group got more information through the circulation that it changed from a "traffic accident" to a "criminal case", from "investigating the real murderer" to "locking the real murderer" and then to "finding the hidden plot". These are all the logical and logical turns in advance. So in order to "break the game", I began to add the element of "time cycle" to the beginning. In the written stage, "infinite flow" has become the most conspicuous label of "Beginning".
Beiqing Daily: After watching several episodes, the most attractive content of Beginnings no longer relies on "surrealism", but returns to down-to-earth reality. Please tell us about the creations of ordinary passengers such as Lao Jiao and Lu Di, and what intentions have you placed on them?
Prayer Jun: At first, I modeled passengers according to two possibilities: quantitative and indefinite. I will definitely take action when I encounter danger, that is, quantitative. For example, the character "Lao Jiao" is in the quagmire of life, but he will still be "courageous" again and again. As for the role of "Lu Di", he is a young man who loves cats with social phobia. As long as he is aroused to identify with his own group, he will change from "variable" to "quantitative". Any passenger in the car can change from "variable" to "quantitative" as long as they can gain their "trust". "Trust" is the cornerstone of success. After that, I began to think, what is the difference between people? I began to try to answer this question through the way of "control group". For example, the old coke "Jiao Xiangrong" and the driver "Wang Xingde" are actually some kind of echo and contrast. In the car, the driving force behind Wang Xingde’s "crime" is his daughter; Drive Lao Jiao "The driving force behind "being brave" is also for my daughter. These two are both fathers and daughters, but they have made different choices, and these two different choices represent different human nature. Another example is "Lu Di", a secondary group that "speaks at once", and the police who "don’t believe" no matter how many times you say it, are also a control group. At the beginning of shaping, these passengers not only have the common ground of being ordinary people, but also represent the thinking mode and life experience of some groups in society. Everyone can play his role at a specific time. No matter how ordinary a person is, once he makes an extraordinary right choice, he is a "hero". This is what I want to express most when I shape them.
What are the differences in characterization?
Beiqing Daily: "Aunt Guo" went out of the circle and became a new topic. What experience can you summarize in your resumption?
Prayer Jun: Apart from Tao Yinghong’s complete portrayal, the actor’s understanding and reinterpretation of this role is the real reason for his success. No matter in the original work or at the beginning of the script creation, the image of Tao Yinghong is "numb" and "crazy", and she is a "broken person" after the collapse. Now the "Aunt Pot" on the screen is a process of remoulding according to her own understanding after thinking by the actor Liu Dan. Her persistence makes Tao Yinghong not only the "injurer" of the "broken", but also allows every audience to see the dignity, preciseness and love for her daughter that Tao Yinghong had before the "broken", which makes her identity as both "injurer" and "victim" more convincing.
Beiqing Daily: It is reported that the names of young CP Li Shiqing and Xiao Heyun coincide with Liu Yuxi’s Autumn Poems. What do these two characters imply?
Prayer Jun: Yes, the names of Li Shiqing and Xiao Heyun are taken from "Autumn Ci". This is a poem I like very much, because its artistic conception is broad and lofty, which is in line with the minds of two young people I originally wanted to shape. "Poetry" is romantic. Li’s poetry is not in contact with too much society. Her romance can make her tolerant, kind and empathetic. "Crane Cloud" is high-spirited, eager to soar, and has the potential of "blockbuster". In addition, "A crane in a clear sky rows clouds, which leads poetry to Bixiao" is also a cycle from beginning to end, and a crane cloud named Xiao (Xiao) is embedded.
Interpretation and speculation of hidden plots are endless.
Beiqing Daily: The final case "bottom" fell on the bus "pervert" and cyber violence. How did these two ideas come into being?
Prayer Jun: As a woman and a mother, I have been thinking about how to teach my daughter to "protect" herself and learn how to "ask for help" when she meets something wrong in this complicated world. The purpose of designing the plot of "pervert" is to make readers and audiences understand that different people have different degrees of tolerance by comparing the different reactions of two girls with different personalities, Wang Mengmeng and Li Shiqing. Maybe what seems like a big deal to you will have completely different results for people with different degrees of tolerance.
The element of "cyber violence" is more about my thinking and reflection on my own experience over the years. Do people who cause "cyber violence" have to "harm" something in the first place? After thinking about these problems, I stayed away from the internet and warned myself that writers should speak with their works. It is these feelings and reflections that made me shape the plot of "cyber violence" in "The Beginning" and the "beginning" that made Tao Yinghong’s family "the tree wants to be quiet but the wind does not stop".
Beiqing Daily: This drama has caused netizens to chase the drama, and various interpretations and speculations about the cycle, details and hidden plots have emerged one after another. Which ones can you come forward for official certification?
Prayer Jun: Many details have been guessed by readers, and I am very touched. For example, Tao Yinghong was going to die on the day of her daughter’s death, but because Tao Yinghong was testing detonators in the garage and caused a fire, the fire department paid attention to it, so the fire department began to check the garage. This fire caused the old coke to be retired, and Wang Xingde, who was working normally, was caught off guard by Tao Yinghong’s temporary boarding. In the original plan of the husband and wife, there should be no one in the car that day, just taking the bomb to the designated place to die.
I also saw the speculation about officer Zhang. Officer Zhang did not enter the cycle. To enter the cycle, he must meet several requirements. First, he had to fall asleep in the car (there was a path to enter the cycle), second, he had to die in the car (once existed normally in the cycle), and then he had to survive in the cycle (left the cycle). Lao Zhang and others in the car did not meet these conditions. He will let it go lightly, just based on his own experience and the normal reaction of a police officer without evidence. Li Shiqing and Xiao Heyun’s "catching the pervert out of the car" is the beginning of Xiao Heyun’s cycle, and it is also the only possibility to turn Tao Yinghong’s "variable" into "quantitative". In Tao Yinghong’s subconscious, she hoped that her daughter would be as strong as the poetry she resisted in the car, and she could resist and even subdue the pervert.
Beiqing Daily: What impact will the success of the film and television of Beginnings have on your future creation?
Prayer Jun: First of all, it has strengthened my confidence in continuing to create "stories of ordinary people". Before I wrote the Kai series, my famous works, Mulan Without Eldest Brother and Everyone Loves Ma Wencai, were either emperors or princes, or geniuses and heroes. When I wrote the Kai series, I was in my thirties, and it was a transition period when I was thinking about what I could leave for the world. The Beginnings, the Lottery and the Opening of the Kai series were actually stories about how ordinary people broke the shackles and completed their self-growth. In fact, this theme is not the mainstream of online novels, and it lacks a sense of coolness. I have never known whether my "transformation" is valuable, and now I have at least taken a reassurance. Good works, in fact, the theme is not important, the most important thing is to tell a good story.
Text/reporter Yang Wenjie
The stars and the moon are burning in the sky, and there are two yuanxiao on earth. Every year, it’s Lantern Festival again.
Lantern Festival, also known as "Shangyuan Festival". In this festival, in addition to eating dumplings, enjoying lanterns and solve riddles on the lanterns, there are also countless literati who have left many poetic poems. These poems, or trigger the resonance of missing, or contain similar warmth, as well as countless inner attachments. These beautiful images hidden in ancient poems have amazed the time and the soul.
Today, let’s walk in poetry and feel the Lantern Festival in poetry.
Ouyang Xiu wrote in the Northern Song Dynasty: "On the Lantern Festival last year, the flower market was lit like a day. The moon rose above the willow tree, At dusk he had a tryst with me. The lantern festival on the fifteenth day of the first month of this year, the moonlight and the lights are still the same as last year. I didn’t see last year, and my tears wet my spring shirt sleeves. " Just a few crosses create a hazy, quiet, graceful and soft artistic conception, which makes people feel the charm of China’s traditional poems.
"Jin Li Fang Yan, Lan Hongyan in his early years. The color is far away, and the light is far away. After the Chinese suspect that the stars are falling, the building is like a moon hanging. Don’t have a thousand gold smiles, come and reflect the nine branches. " Lu Zhaolin, one of the four outstanding figures in the early Tang Dynasty, wrote a poem "Watching Lights at Fifteen Nights", which made the colorful Lantern Festival lights unique and brought people into the enchanted fairyland.
The poet Su Weidao wrote in the poem "The fifteenth night of the first month": "The fire tree and silver flowers are combined, and the star bridge is locked. The crowd surged, the dust float in the sky under the hoofs of the horses; Moonlight all over every corner, where people can see the moon overhead. Prostitutes are all ruined, and songs are all ruined. Jin Wu can’t help but stay up at night, and the jade leaks. " The poem describes the scene of lights scattered and crowds surging on the Lantern Festival night in Chang ‘an, and people still don’t want to leave at midnight. Read it carefully, and you will have a wonderful feeling of being in the capital of Datang and sleepwalking in the sea of people and lights.
Yuan midnight snack, between the lights. "Find him thousands of baidu in the crowd. Suddenly looking back, the man was there, and the lights were dim. " Xin Qiji, a poet in the Southern Song Dynasty, is well-known for this word in "Qing Yu An Yuan Xi". In fact, in ancient times, Lantern Festival was also a romantic festival. Lantern Festival provides an opportunity for unmarried men and women to get to know each other, and it is also a good opportunity for young men and women to meet their lovers.
In the Song Dynasty, the anonymous poet "Partridge Sky Shang Yuan" said: "At dusk, we welcome the auspicious to the Royal Return, and the palace flowers carry the brocade in piles. The whip sounded by the bridge in Tianjin, and the shadow was opened in front of Xuande Building. Play Shun music, enter the Yao Cup, and announce that the car will go to Tianjie immediately. The king likes to have fun with the people, and he comes with shock on all sides. " It describes the grand occasion of the Lantern Festival in the capital city of Song Huizong, where the emperor enjoyed the fun with the people, the officials and petty officials swarmed around, and the people flocked to it. Everyone wore all kinds of flowers on his head, and all the way, it was colorful and dazzling, as if it were a sea of flowers.
Photo by Beijing Daily reporter Pan Zhiwang.
Tang Bohu, a cynical and talented six-legged layman, also wrote a beautiful work "Yuanxiao". "A moon without lights is not entertaining, and a moon without lights is not spring. Towards everywhere spring comes as seen here with lady fair, Over bright moonlit night flashing lanterns set off the moon as pure silver. All over the street, Zhu Cui swims around the village girls, singing and competing with the social gods. If you don’t show your respect and smile, how can you get rid of this good time? " The Lantern Festival written by him is not only beautiful in artistic conception, but also lively and touching. The lights and the moon are shining, the songs are everywhere, and even the village girls wear red and green to travel. The scene is very spectacular and moving.
The beauty of poetry lies in its rich flavor of the times and life. The romance of poetry lies in its engraving of human experience and customs changes. Therefore, it can cross the long river of time and let us regain the memory of culture. No matter how time and space change, Lantern Festival is still a spiritual symbol that we can’t give up, and people are still used to reunion in festivals.
"At the Lantern Festival last year, the flower market lights were as bright as day. On the first night of this year, only the moon remains. " On this day, which should be a family reunion, too many people can’t do so because of the unexpected visitor "COVID-19 epidemic". This sudden epidemic has disrupted the rhythm of everyone’s reunion and disturbed our pace of going home. At this moment, on the Lantern Festival, let’s say a word to the "soldiers" who are fighting against the epidemic: take care and be safe! Say a word to all my family and compatriots: Happy holidays!
The fight against the epidemic has entered the stage of Armageddon, and we look forward to the early dispersal of the epidemic and the family reunion as soon as possible! (Guangming. com reporter Yuan Qing)
CCTV’s 2019 Lantern Festival Gala will be held soon. Southern Reporter learned that Chaozhou Opera, one of the four famous dramas in Guangdong, will be on CCTV Lantern Festival Gala, and Zhang Yihuang, winner of China drama "Plum Blossom Award", and others will show the charm of Chaozhou Opera "Watching the Lights". The famous artists who appeared in this performance are Zhang Yihuang, Lin Chufa, Ant yan dan and Zhang Shutong. Like the Spring Festival Gala, the CCTV Lantern Festival Gala has also attracted much attention. This is another famous Guangdong drama on CCTV Lantern Festival Gala after Guangdong Cantonese Opera on CCTV Spring Festival Gala.
Chaozhou Opera, one of the four famous operas in Guangdong (Cantonese Opera, Chaozhou Opera, Han Opera and Lei Ju), was named after its formation in Chaoshan area of Guangdong, commonly known as "Chaodiao", "Chaoyin Opera" and "Baizizi Opera". It was widely circulated in Zhao ‘an, Yunxiao, Pinghe, Dongshan, Zhangpu and Nanjing in southern Fujian in the late Ming Dynasty, and was closely related to Liyuan Opera. In 2006, it was selected into the first batch of national intangible cultural heritage list. Known as "southern flowers".
"Watching Lights" Dressed Rehearsal
Plays: Meet a beautiful woman under the Lantern Festival, and a beautiful marriage is made by a mirror.
The performance program is "Watching Lights" from the classic drama "Li Jing Ji" of Chaozhou Opera.
Li Jing Ji originated from Chaozhou and Quanzhou in southern Fujian, mainly in the form of Qupai (script), and was performed by drama. The Chaozhou opera Li Jing Ji, also known as Chen San Wu Niang, is written in Chaozhou dialect and Quanzhou dialect, which is the earliest publication in Minnan language and the most representative traditional repertoire of Chaozhou opera.
The story tells that Chen San, a native of Quanzhou, Fujian Province in the Ming Dynasty, sent his brother and sister-in-law to Guangnan to take office. On the Lantern Festival, he passed through Chaozhou, Guangdong Province, and met Huang Wuniang, a rich daughter, at the Lantern Festival. They fell in love at first sight and loved each other. Huang’s father was greedy for money and love power, and allowed Wu Niang to marry Lin Da, a rich man. Wu Niang was dissatisfied and depressed. Chen San came to Chaozhou again and passed by Wuniang Xiulou, where Wuniang threw lychees and handkerchiefs to show her love. Chen San disguised himself as a mirror grinder and entered Fu Huang. When Chen San was grinding the mirror, he deliberately broke the mirror and sold himself into slavery on the pretext of losing the mirror. After twists and turns, Yichun tactfully helped pull strings, and Chen San and Wu Niang finally escaped and eloped back to Quanzhou. This drama has a distinctive color of rebelling against feudal ethics, eulogizing the free marriage of men and women, and breaking the vulgar marriage arrangement of men and women in feudal society. The whole drama has strong local cultural characteristics and has been performed for a long time. Watching Lights, Collecting Books, Keeping an Umbrella and Contracting in the drama have become immortal classics of Chaozhou Opera.
Fang Zhanrong, a national representative inheritor of Chaozhou Opera and former head of the 2nd Troupe of Guangdong Chaozhou Theatre, introduced that the performance of "Li Jing Ji" and "Watching Lights" at the CCTV Lantern Festival was a brilliant scene and a classic fragment, among which, four professions representing Chaozhou Opera will be presented to the national audience one by one. Fang Zhanrong is a famous and ugly Chaozhou Opera. He devoted himself to its promotion all his life. He said that Chaozhou Opera is more difficult to promote than other local operas because it is performed in dialects. "But this is also our ambition. As an ancient opera, it is great that local operas in languages that are not easy to learn can be put on the CCTV Lantern Festival." Fang Zhanrong introduced that Chaozhou Opera has also been put on the central opera channel many times. He said that CCTV Lantern Festival Gala is a national event.
Do you know this famous Chaozhou opera?
Wu Niang Zhang Yihuang
Zhang Yihuang, who plays Wu Niang in "Watching the Lights" in the Chaozhou drama "Li Jing Ji", is a national first-class actor and a plum blossom award winner. He is currently the vice president of Guangdong Chaozhou Theatre, the top-notch talent in Shantou, the vice chairman of Guangdong Dramatists Association and the chairman of Shantou Dramatists Association.
Zhang Yihuang, a native of Nan ‘ao, Guangdong Province, graduated from Shantou Opera School in 1989, majoring in Chaozhou Opera Performance, and graduated from China Opera Academy in 2002.
As a leader in the field of Chaozhou opera performance, Zhang Yihuang has successively starred in more than 30 dramas, such as Yaniang, Dongwu Princess, Fireworks Woman and Champion Lang and Yutangchun, which are deeply loved by Chaozhou opera audiences at home and abroad. In 2001, he went to Japan to hold a concert of Zhang Yihuang Chaozhou Opera, and published Zhang Yihuang Chaozhou Opera Art Album and Masterpiece Golden Melody — — Zhang Yihuang’s Singing Album, Chinese Chaozhou Opera Masters — — Selected Works of Zhang Yihuang’s Singing, etc., are deeply loved by Chaozhou opera audiences at home and abroad.
Chen San Lin Chufa
Lin Chufa, played by Chen San, is a national first-class actor, a junior in Guangdong Chao Theatre and a director of Guangdong Dramatists Association. In 1993, he graduated from Shantou Culture and Art School, and in 2002, he graduated from China Theatre Academy. Successfully played more than 30 different characters such as Liu Bei in Dongwu Princess and Zhu Jingwu in Yaniang. In recent years, he has taken many large-scale Chaozhou opera art films and Chaozhou language film and television works, such as "The Legend of the Moon" and "The Bride of the Champion". He has won many awards, such as the second and third drama performing arts competitions in Guangdong Province, the first prize for young and middle-aged singing in Shantou City, and the first prize for young and middle-aged performing arts competitions in Guangdong Chao Theatre in 1998 and 2002.
Yichun ant yan dan
Yan dan, the actor of Yichun, is a second-class actor of Guangdong Chao Theatre. He graduated from Shantou Culture and Art School with a major in Chaozhou Opera performance. After graduation, he has been an actor in Guangdong Chao Theatre. Since she was an artist, she has played the role of Chuncao in Chuncao Rushing into the Hall, and the wife on the way home has played the leading role and important role. As a choreographer in many plays and cultural evenings. He has won the bronze prize in the 4th Drama Performing Arts Competition in Guangdong Province, the second prize for young singers, writers, directors and vocalists in Guangdong Chao Theatre, and many other awards.
Ugly Li Jie Zhang Shutong
Ugly female Li Jie Zhang Shutong (right)
This time, the role of the ugly Li Jie was played by Zhang Shutong, a group of ugly actors and directors in Guangdong Chao Theatre. He has played the role of Hu Lian in Noisy Chai, Sun Fu in Capture Sun Fu alive, and Li Laosan in Chai Fang Hui. In 2008, he went to the advanced editing and directing class of Shanghai Theatre Academy to study, and then independently directed plays such as Capture Saburo alive, Hu Bugui Weeping the Grave, and All the Children Cry. In 2001, he participated in the basic skills competition of young and middle-aged actors in Guangdong Chao Theatre and won the first prize. In 2006, he directed and acted Saburo alive and won the gold medal in the 5th Guangdong Drama Performing Arts Competition.
Reporter Li Chunhua
CCTV News:There are representative major projects and major projects in each era, and those super projects have become the symbolic symbols of the times, which embodies the hard work and creativity of the people of China and also witness the road of China’s revival and rise.
Shield machine is a necessary equipment for tunneling, and it is also a high-end equipment focused on "Made in China 2025". At one time, the technology and overseas market of super-large diameter shield machine have been monopolized by western countries for more than a century. In May this year, the super-large diameter shield machine independently developed by China will go abroad for the first time and become a new "national business card" for China.
In May, this super-large diameter shield machine with a diameter of 12.12 meters and a weight of 2,200 tons is about to leave for Bangladesh. Although it is the weekend, the manufacturing team is still making the final confirmation of the export shipment plan.
For Zhang Boyang, the person in charge of this shield machine, it is not the first time that there is no weekend. The shield machine exported this time is not the most difficult project he took over. At the same location, they once manufactured the first super-large diameter shield machine with independent intellectual property rights in China — — "Tianhe", with a diameter of 15.03 meters and a weight of 6,500 tons, was used to excavate the Yangtze River tunnel in Nanjing at that time.
Zhang Boyang, head of CCCC shield machine project: "This was the most difficult geology in the world at that time. It was soft on the top and hard on the bottom. If it was all hard, it would be easy and even."
Zhang Boyang is the commander of Nanjing Yangtze River Tunnel Project. At that time, only one foreign company in the world had experience in manufacturing shield machines with similar conditions, and the construction party planned to order two shield machines from this company.
Zhang Boyang, head of CCCC shield machine project: "700 million one, two 1.4 billion, no price reduction. You can’t rely on others to import all the time. Once they wean you from food, you will die, so we are determined to make it ourselves. "
It’s better to throw off your arms and do it yourself than to cry your head off and beg for help. A big country’s heavy weapon must be in its own hands. As an engineer of this project, Zhou Jun was mainly responsible for research and development.
Zhou Jun, Chief Engineer of CCCC Shield Machine Project: "The pressure is enormous. Everyone thinks it is incredible, and there are doubts outside."
In the process of research and development, many technical problems appear for the first time, so we can only cross the river by feeling the stones. The research and development of core components has made everyone think hard.
Zhou Jun, Chief Engineer of CCCC Shield Machine ProjectThe cylinder is the core component of the shield machine, and the shield machine moves forward by the thrust generated by the cylinder. Before that, they were all imported from abroad. Our super-large diameter shield cylinder is a luxury car, 500,000 yuan each. "
Tianhe needs about 50 such cylinders. In order to realize the localization of core components, the R&D team made great efforts and made up their minds to gnaw this hard bone.
Zhou Jun, Chief Engineer of CCCC Shield Machine ProjectWe employees are the earliest to get off work at 11 pm. I basically go to work after 7 o’clock in the morning and get off work around 1 o’clock, every day. Through four to five months of experiments, we have come up with a set of manufacturing inspection standards for large-diameter shield cylinders. "
After nearly half a year of technical research, the domestic shield cylinder finally came out, and the cost of one cylinder was 300 thousand yuan cheaper than that of imported cylinders. A super-large diameter shield machine consists of tens of thousands of parts of different sizes. Behind every domestic part is hard work. The research and development of Tianhe has been designed, modified, tested and revised thousands of times. There are more than 7,000 drawings confirmed in the final design of the whole equipment, which are more than one person high when stacked together.
Zhou Jun, Chief Engineer of CCCC Shield Machine Project: "Everyone thought the same thing as me at that time, that is, we built these two machines. At that time, China should be said to be the shield machine with the most advanced technology, the largest diameter and the highest difficulty. Everyone had this sense of accomplishment at that time, that is, this kind of glory for the country, this kind of courage, including this spirit, that is to say, since I have done this, I must do it well. "
After 14 months of hard work, in July 2012, China’s first super-large diameter shield machine "Tianhe" was officially put into use, and the two shield machines saved nearly 800 million yuan for the country. However, can this shield stand the test of super engineering?
Zhang Boyang, head of CCCC shield machine project: "The most painful thing was in 2013, when the cutter head got stuck. Just a few days before the Spring Festival, I didn’t leave the construction site for half a step, and I stayed in the shield machine for observation and analysis every day. "
The cutter head suddenly stopped turning during the excavation of the Yangtze River tunnel, and these 59 days were the most difficult days for everyone.
Zhang Boyang, head of CCCC shield machine project"This is not only an enterprise, but also the pressure from China people. You let foreigners see Chinese jokes. This pressure is really huge, even if you cut my meat. "
After a long period of hard thinking, Zhang Boyang made a bold suggestion.
Zhang Boyang, head of CCCC shield machine project: "I retreated the cutter head and shield body of this integral shield machine, which is technical and has never been seen before. But I also evaluate and analyze what risks it has, how to retreat, and how much strength it needs. I use the telescopic mechanism and oil cylinder of the cutter head, and every time I retreat 10 mm, 10 mm, that’s all. "
After two months of persistence, the cutter head finally turned again. In July, 2015, after three years, Tianhe came out of the hole at the bottom of the river and saw the light again. Many people present cried with joy.
Zhang Boyang, head of CCCC shield machine project: "Without responsibility, there is no innovative spirit. You dare not take responsibility, do you dare to innovate? We are not willing to do this. How can China’s manufacturing industry develop? "
Tianhe has achieved 50% localization rate, and the localization rate of shield machines to be exported to Bangladesh has increased to 95%. It will be used in China’s largest overseas shield road tunnel project, and help the country’s "Belt and Road Initiative".
Xinhuanet Beijing August 14th Olympic Special (Reporter Shi Chundong Yi Ling) On the evening of 14th, China men’s volleyball team beat the old enemy Japanese team 3-2, occupying a favorable qualifying position in the group.
Twenty years after bidding farewell to the Olympic Games, China Men’s Volleyball Team entered the Olympic Games directly as the host. At present, the Japanese team ranks 12th in the world, and the China men’s volleyball team ranks 21st. In recent years, the records of the Chinese and Japanese teams have been evenly divided.
The 12 teams of men’s volleyball team in Beijing Olympic Games were divided into two groups to compete. Of the six teams in each group, the top four entered the top eight.
In Group A, China’s men’s volleyball team won the Venezuelan team narrowly, and only after winning the Japanese men’s volleyball team can it be expected to qualify. If you lose this game, it will be extremely difficult to win against the United States and Italy.
The game started at 20 o’clock that night, and more than two hours before the start of the game, the audience poured into the Capital Gymnasium. China men’s volleyball team was so powerful at home that it was deafening with the support of more than 12,000 spectators.
The starting lineup of China Men’s Volleyball Team is Shen Qiong, Cui Jianjun, Bian Hongmin, Yu Dawei, Yuan Zhi and Jiao Shuai.
The China team didn’t start as nervous as expected. Yuan Zhi’s diagonal smash and Cui Jianjun’s serve scored the goal, and the team entered the state quickly. In the second timeout, China led by 7 points. The Japanese team wanted to defend on the Internet, but the opponent’s heavy artillery was too strong. Japan made a mistake of 12 points in the first game. On the 16th, Yujie Ishishima served out of bounds and introduced the game into the game. Japan made another mistake: 25: 20.
China continued to exert his strength in the second game. In the second timeout, China led by two points. In this game, all the points of the China team were fully alive, and many good balls were played, and the players were very excited. China led by 3 points into the inning, but the Japanese team almost caught up with it by one point. Experienced Zhou Jianan called for a time-out to curb the opponent’s counter-offensive momentum. Yuan Zhi brought the game into the inning, and Yu Dawei took the lead at No.2: 25: 23.
The Japanese team that lost the game didn’t sink. In the third game, it changed its passivity, strengthened the supervision of China’s main attack and response, and focused on man-to-man interception. Score 7 points in a row in the middle game. As long as the China team attacked, they were stopped by their opponents, and Ren Qi, a free man, flew to save the ball, which was very tragic. Fourth inning: 17: 25.
In the deciding game, Zhou Jianan arranged for the new face to attack Fang Yingchao and the veteran to attack Shi Hairong in the third and fourth games. The score was 2: 3, and Chinese captain Shen Qiong killed again at No.4, followed by a one-man block. The China men’s volleyball team suddenly burst into unprecedented strength. Fang Yingchao became a top player on the Internet. At 9: 8 stalemate, his 3-position fastball and serve directly stimulated the team’s fighting spirit. The China team completely controlled the opponent with three blocks, and at 14: 10, Fang Yingchao’s 4-position winner sealed the victory.
"Win China! China will win "cheers, China boys embrace together, excited to shout.
Zhou Jianan, head coach of China Men’s Volleyball Team, said in an interview with Xinhua News Agency: "Today, the China team played its best level since the team was formed, and walked out of the strange circle of winning first and then losing for many years. The fighting spirit has been played out. At a critical time, I boldly launched a new face, which made my opponent very uncomfortable. This is also a reason for winning. "
China men’s volleyball team will also play against the United States and Italy in the group stage.
Editor: Wang Yuxi
Xinhua News Agency, Shenzhen, January 22nd Title: Stick to it for a better reunion — — Shenzhen Express Takeaway Brother’s New Year’s Eve Running List
Xinhua News Agency reporter Zhao Ruixi
In the early morning of New Year’s Eve, Yang Lei went out on his electric car and was busy collecting and dispatching parts in several communities in Shenzhen Nanshan Science and Technology Park. This is his 17th year as a courier. He can’t remember how many times he received the delivery on New Year’s Eve. "After working as a courier, he didn’t go back to his hometown for the New Year."
On the morning of January 21st, at the gate of the residential area to be delivered, Yang Lei moved the boxes of express delivery out of the car. (Photo by Xinhua News Agency reporter Liang Xushe)
"My wife and two children are in Shenzhen. Many younger brothers’ families are not around, giving them the opportunity to go home. " Yang Lei said, "The company will also give rewards for going to work during the Spring Festival, and give compensatory time off after the holiday. My wife works in a supermarket and also works during the Spring Festival. Both children are in junior high school, they can understand us, and they can also heat their own meals and take care of themselves. "
This year, SF Express, where Yang Lei is located, set up a special incentive package and warm-hearted care activities for the Spring Festival totaling more than 400 million yuan to encourage employees to stick to their posts.
Yang Lei told reporters that the peak of receiving and dispatching parts is before the Spring Festival, and the workload during the Spring Festival is not too heavy. He, who is usually responsible for receiving and dispatching office buildings, went to support the receiving and dispatching work of residential quarters during the Spring Festival. In the four hours in the morning of New Year’s Eve, he received more than 80 tickets. "Under the superposition of various incentives, the Spring Festival can earn more than 10,000 yuan this month."
On the morning of January 21st, Yang Lei (former) was busy sorting express delivery. (Photo by Xinhua News Agency reporter Liang Xushe)
Near noon, Yang Lei was almost busy with the delivery task in the morning. At this time, Shen Jinfeng, a takeaway rider in Longhua District, got busy and rode his electric car between the restaurant and the community.
In 2021, Shen Jinfeng joined the US Mission and became a full-time takeaway in Longhua Minzhi District. He said: "Takeaway is an industry with more work and more rewards. As long as you are willing to pay, you will get a reward." In order to earn more money, he has chosen to stay alone in Shenzhen to deliver meals during the Spring Festival for two consecutive years.
Meituan has invested more than 500 million yuan this year as a subsidy for riders to stabilize their posts during the Spring Festival, including the subsidy for staying in the post, the red envelope for starting the Spring Festival, the red envelope for duty, and the subsidy for stepping back to work.
On New Year’s Eve, there were not many take-away orders. Until 1 pm, Shen Jinfeng sent out a total of 10 takeaways. "Although there are not many orders, the delivery fee per order is much higher than usual. I earned more than 9000 yuan in the Spring Festival last year. This year’s Spring Festival will get all kinds of rushing rewards, and you can earn more than 10,000 yuan. " Shen Jinfeng said, "earn more money and go back to your hometown in Anhui on the fifteenth day of the first month to reunite with your family."
In addition to strengthening the incentive mechanism for enterprises, the government has also taken action. Years ago, the relevant departments in Shenzhen made it clear that the express delivery and take-out during the Spring Festival would be subsidized by the municipal finance for each order in 1 yuan. Front-line workers in construction, tourism, sanitation, manufacturing and other industries can also receive corresponding government subsidies.
"Although the Spring Festival is not around my family, I am very happy to deliver the meal to the guests in time so that they can have a hot meal and have a happy year." Shen Jinfeng said.
Yang Lei said that nowadays, the society generally recognizes the courier brother more. During the Spring Festival, it is still relatively happy to ensure that residents receive the needed items in time and have a good year. "A package sent every day conveys a love." He said.
They are the epitome of tens of thousands of little brothers who stay deep in the post during the Spring Festival, contributing to the better reunion of others and working hard for their own better reunion. Shen Jinfeng said: "I believe that the good days are still behind!"